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Phenomenological methodology and aesthetic experience
essential clarifications and their implications
pp. 39-62
Abstract
This chapter examines phenomena of aesthetic experience and aesthetic creativity in terms of a qualitative dynamics of movement. It notes the lack of consideration of the foundational role of movement in human and other activity, and the need for thorough description of kinetic-tactile and kinaesthetic experience. It recommends the importance of phenomenological methods to achieve this task and outlines an application of such methods to phenomena of aesthetic creativity.
Publication details
Published in:
Grant Stuart, McNeilly-Renaudie Jodie, Wagner Matthew (2019) Performance phenomenology: to the thing itself. Dordrecht, Springer.
Pages: 39-62
DOI: 10.1007/978-3-319-98059-1_3
Full citation:
Sheets-Johnstone Maxine (2019) „Phenomenological methodology and aesthetic experience: essential clarifications and their implications“, In: S. Grant, J. Mcneilly-Renaudie & M. Wagner (eds.), Performance phenomenology, Dordrecht, Springer, 39–62.