Repository | Series | Book
The elusive synthesis
aesthetics and science
Details | Table of Contents
pp.49-82
https://doi.org/10.1007/978-94-009-1786-6_3pp.49-82
https://doi.org/10.1007/978-94-009-1786-6_3pp.103-124
https://doi.org/10.1007/978-94-009-1786-6_5pp.103-124
https://doi.org/10.1007/978-94-009-1786-6_5the visual and conceptual aesthetics of emerging form
pp.125-151
https://doi.org/10.1007/978-94-009-1786-6_6the visual and conceptual aesthetics of emerging form
pp.125-151
https://doi.org/10.1007/978-94-009-1786-6_6pp.153-168
https://doi.org/10.1007/978-94-009-1786-6_7pp.153-168
https://doi.org/10.1007/978-94-009-1786-6_7conservative factors in revolutionary crises
pp.169-187
https://doi.org/10.1007/978-94-009-1786-6_8conservative factors in revolutionary crises
pp.169-187
https://doi.org/10.1007/978-94-009-1786-6_8false leads from T. S. Kuhn on the role of the aesthetic in the sciences
pp.189-202
https://doi.org/10.1007/978-94-009-1786-6_9false leads from T. S. Kuhn on the role of the aesthetic in the sciences
pp.189-202
https://doi.org/10.1007/978-94-009-1786-6_9pp.203-225
https://doi.org/10.1007/978-94-009-1786-6_10pp.203-225
https://doi.org/10.1007/978-94-009-1786-6_10the German tradition and the symbolic turn in philosophy, history of art and natural science in the 1920s
pp.227-249
https://doi.org/10.1007/978-94-009-1786-6_11the German tradition and the symbolic turn in philosophy, history of art and natural science in the 1920s
pp.227-249
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