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The American Journal of Semiotics
Signs in musical hermeneutics
Volume 13 (1-4)
Details | Table of Contents
Grounding interpretation
a semiotic framework for musical hermeneutics
pp.25-42
https://doi.org/10.5840/ajs1996131/43
Musical hermeneutics in the past two decades
some reflections on German and Austrian publications
pp.43-59
https://doi.org/10.5840/ajs1996131/44
Encountering mangrove
an essay in signification
pp.60-102
https://doi.org/10.5840/ajs1996131/45
Doubters and believers
case studies in the Geistliche Lieder of Eduard Mörike and Hugo Wolf
pp.103-146
https://doi.org/10.5840/ajs1996131/46
From signor Contino to Falstaff
operatic connotations in Beethoven's early variations
pp.147-163
https://doi.org/10.5840/ajs1996131/47
Decoding the twenty-four preludes of Shostakovich
a hermeneutic approach
pp.165-181
https://doi.org/10.5840/ajs1996131/48
Colors of a mystic fire
light and sound in Scriabin's Prometheus
pp.227-248
https://doi.org/10.5840/ajs1996131/410
A mystic in the cathedral
music, image, and symbol in Andriessen's Hadewijch
pp.249-275
https://doi.org/10.5840/ajs1996131/411Publication details
Journal: The American Journal of Semiotics
Volume: 13
Issue: 1-4
Year: 1996
Full citation:
(1996) Signs in musical hermeneutics. The American Journal of Semiotics 13 (1-4).