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Humour without pity
the scandal of provocative humour
pp. 119-147
Abstract
This chapter examines the taboo-breaking humour of Chappelle's Show, The Sarah Silverman Programme and Four Lions. With particular attention to the different ways in which these texts clearly define and then breach social boundaries and taboos for the purpose of humour, this chapter considers how provocative humour intentionally and tastelessly intervenes in socially charged conversations in a manner that is explicitly coded as insensitive and quite possibly offensive to a hypothetical audience.
Publication details
Published in:
Holm Nicholas (2017) Humour as politics: the political aesthetics of contemporary comedy. Basingstoke, Palgrave Macmillan.
Pages: 119-147
DOI: 10.1007/978-3-319-50950-1_5
Full citation:
Holm Nicholas (2017) Humour without pity: the scandal of provocative humour, In: Humour as politics, Basingstoke, Palgrave Macmillan, 119–147.