Central and East European
Society for Phenomenology

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191473

The polysemy of human–computer interaction

Anita Greenhill Gordon Fletcher

pp. 175-190

Abstract

This chapter provides exemplars of the influence of digital artifacts upon cultural experiences. We argue that the associations between people and artifacts, and specifically digital artifacts, is an increasingly dense, interwoven, and pivotal aspect of everyday cultural experience. Artifacts themselves resist any stability of meaning by being continuously disassembled and reassembled into newly meaningful assemblages. Digital artifacts extend this complexity by accelerating and extending cultural relationships both temporally and geographically, resulting in a wider range of potential and actual relationships in an expansive number of contexts. Through the connections that digital artifacts hold to people, there is a continuously fluid polysemous multivocality that incorporates the multiple and expansive parameters of power, meaning, and cultural knowledge. The human ability to alter and repurpose artifacts to suit immediate and shifting needs prevents any innate definitional quality from making a "table" a table or a "blog" a blog. Purpose and meaning of an artifact is continuously defined and then redefined between individuals and across time, beyond the reach of the original designers or manufacturers.

Publication details

Published in:

Isomki Hannakaisa, Saariluoma Pertti (2009) Future interaction design II. Dordrecht, Springer.

Pages: 175-190

DOI: 10.1007/978-1-84800-385-9_9

Full citation:

Greenhill Anita, Fletcher Gordon (2009) „The polysemy of human–computer interaction“, In: H. Isomki & P. Saariluoma (eds.), Future interaction design II, Dordrecht, Springer, 175–190.