This article is an approach towards a media theory analysis of the current evolution of programming languages in order to contribute to the theme of a "consciousness reframed" on a planetary level. At first glance, it seems obvious that cybernetic languages can not and should not be compared to natural languages in their aesthetic or noetic impacts on individuals or groups, on the knowledge space they are able to share or the social synthesis that these old media help to erect and sustain on a daily basis. Furthermore, the respective disciplines that should be involved to accomplish a description of such a phenomenon are of a humbling complexity. It should thus be sufficient here to try and connect some initial points in an understandable way to the arts and literary, cultural and social sciences.