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Aesthetic reception
pp. 179-272
Details | Table of Contents
"Essential witnesses"
Imagism's aesthetic "protest" and "rescue" via ancient Chinese poetry
pp.181-194
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_14
Towards a post-modern hermeneutic ontology of art
Nietzschean style and Heideggerian truth
pp.195-209
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_15
Le véritable Saint Genest: from text to performance
pp.211-224
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_16
Husserl, fantasy and possible worlds
pp.227-237
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_17
Phenomenological ontology and second person narrative
The case of Butor and Fuentes
pp.239-248
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_18
Modifications: a reading of Auden and Iser
pp.249-257
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_19
A study of visual form in literary imagery
pp.259-265
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_20
Indian and Western music
Phenomenological comparison from Tagore's viewpoint
pp.267-272
http://link.springer.com/chapter/10.1007/978-94-009-2027-9_21