Central and East European
Society for Phenomenology

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146897

The tuning-in relationship

from a social theory of music towards a philosophical understanding of intersubjectivity

Carlos Belvedere

pp. 209-227

Abstract

In this paper I deal with Schutz's approach to intersubjectivity. First I present his concept of the mutual tuning-in relationship as a polythetic constitutional process. Then I retrieve some of Zaner's criticisms about Schutz's characterization of the thou-orientation as an appresentational and symbolic relation. Then I go back to Scheler's perceptual theory of the alter ego sketching out a number of differences with Schutz's theory, contesting some of the criticisms posed by Zaner. After this I take Luckmann's description of the process of mirroring as a key concept to understand how the tuning-in relationship is established. Finally, I go back to try and answer Zaner's criticisms.

Publication details

Published in:

Barber Michael, Dreher Jochen (2014) The interrelation of phenomenology, social sciences and the arts. Dordrecht, Springer.

Pages: 209-227

DOI: 10.1007/978-3-319-01390-9_15

Full citation:

Belvedere Carlos (2014) „The tuning-in relationship: from a social theory of music towards a philosophical understanding of intersubjectivity“, In: M. Barber & J. Dreher (eds.), The interrelation of phenomenology, social sciences and the arts, Dordrecht, Springer, 209–227.